Matthew Mole
- Albums Reviews, Music, Review
- September 20, 2013
Jack White makes heavy, turbulent modern-blues records the same way he pursues his other passion, furniture restoration: with a decisive attention to contour, colour scheme and cagey, durable detail. “Three Women,” the opening rumble on Lazaretto, is based (with a co-writing credit) on Blind Willie McTell’s 1928 recording “Three Women Blues.” But White’s spin on McTell’s
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